I’m a Com­poser, musi­cian, tech­ni­cian and audio­vi­sual artist. My music is focused on the areas of elec­tro acoustic and exper­i­men­tal elec­tronic music. I’m work­ing in the dif­fer­ent areas of: Live elec­tronic music / Acous­matic music / Sound Art Musi­cal expres­sion inter­faces / Human to Com­puter inter­ac­tion Audio­vi­sual art / Text Sound art .. and more I […]

Sur­round­piece for chil­dren and fam­i­lies based on Jules Verne’s “The jour­ney to the cen­ter of the earth”. Two ver­sions, one for chil­dren of 2–5 years, one for 6 years and older. Com­posed with Mag­nus Bunnskog. Com­posed in 2011 Durata c:a 30 min­utes Swedish text, read by Mag­nus Bunnskog. Com­mis­sioned by Audio­rama. On the tech­ni­cal side: Ambisonic field record­nings. Processed […]

Live elec­tronic audio­vi­sual piece Com­posed in 2011 Durata c:a 9 min­utes On the tech­ni­cal side: Built in open­Frame­works (in C++). Sound syn­the­sis with wavetable syn­the­sis. Visual syn­the­sis with white blocks, shapes and num­bers. Played live, con­trolled via the lap­top key­board. First per­for­mance dur­ing Sound of Stock­holm fes­ti­val, at Kul­turhuset, Stock­holm, Swe­den, 2011-10-18.   Doc­u­men­ta­tion of the first per­for­mance: Sorry […]

A elec­troa­coustic music drama based on the mono­logue by Marga Pet­ters­son. Swedish title: När du hör hovar, leta efter zebror Actress, script: Marga Pet­ters­son Edit­ing: Mag­nus Bunnskog Direc­tor, Sound design and Music: Mar­cus Wrangö First per­for­mance: 2011 sep­tem­ber 26, 19:00 at Audio­rama, Stock­holm. Durata 57 min­utes 57 sec­onds. Dig­i­tal and ana­log syn­the­sized sounds and voice […]

++++++++++++++++audio++visual++++++++++++++++++ ++++++++++++++++++++++++ +++++++++++++++++——————– —————- ———————————— Piece for live elec­tron­ics and pro­jec­tion. Com­posed in 2011. Durata: c:a 30 min­utes. First per­for­mance: at Nor­berg Fes­ti­val, 2011-07-30, in 8bit room, dur­ing the Audio­rama Show­case. On the tech­ni­cal side: Built in open­Frame­works (in C++). Sound syn­the­sis with wavetable syn­the­sis. Visual syn­the­sis with white blocks. Played live, con­trolled via the lap­top key­board. Coming […]

Live elec­tronic sur­round piece for 8 chan­nel speaker array. Com­posed in 2011 Durata c:a 10 min­utes Com­posed for Kul­tur­natt Stock­holm 2011. On the tech­ni­cal side: iPad inter­face built with Touch OSC. Syn­the­sized sounds made in Super­Col­lider. First per­for­mance at Audio­rama, 2011-04-09.   Have a lis­ten, bin­au­ral stereo verion – use headphones:

Music for dance/new cir­cus show “Hello!” by the com­pany Vifira. Stu­diobased musik and live elec­tronic ele­ments Com­posed in 2010–2011 Durata c:a 40 min­utes On the tech­ni­cal side: Player built in MaxMSP. Noc­turn and Wiimote con­trollers for live elec­tronic con­trol. First, sec­ond and third per­for­mance at Hangaren, Subtopia, Alby, Stock­holm, Swe­den, 2011-03-23. Played 9 times dur­ing the […]

I’m happy to tell you that as of today have a new half time job – as Tech­ni­cal Pro­ducer at Audio­rama.   Audio­rama is a venue for inno­v­a­tive drama, sound art and elec­tro acoustic music. We have a 17.4 sur­round sys­tem from Gen­elec and the room is located in the same build­ing as MDT (Moderna […]

One of my pieces is to be played at SARC, Belfast The 6th of May 2010 my piece “The Omi­nous Sonori­ties of Freck” is going to be played at SARC (Sonic Arts Research Cen­ter) at Queen’s Uni­ver­sity in Belfast at a con­cert curated by Prof. Bill Brun­son at Royal Col­lege of Music in Stock­holm. Bill […]

My piece for ICMC 2010 get­ting played even before the ICMC The cura­tor of 60x60 project Robert Voisey reports three more per­for­mances of the Bur­gundy Mix other than the one at the ICMC. * 5/14/2010 60x60 (2010 / ICMC Bur­gundy Mix) Park­side Lounge, New York City * 5/12/2010 60x60 (2010 / ICMC Bur­gundy Mix) City University […]